The Provider had already taken the Grand Prize at the 2010 Bloodshorts 48-hour Film Competition when director Brianne Nord-Stewart decided to add some finishing touches before it got a wider release. In particular, she asked me to manipulate shots of a stuffed-and-mounted female character.

Most of the work on the various shots was performed in Nuke. The actress was frozen in place and given a pale, waxy complexion. Her eyes were replaced with clouded, glassy cataracts. Unwanted background objects were removed and digital touchups were meticulously integrated with grainy footage and wandering focal lengths.

Full breakdown on my blog.